I was annoyed reading Alex Pappademas’ Grantland piece on Treme, mostly because I was anticipating five years from now, when Grantland Editor-in-Chief Bill Simmons will lecture all of us about how great the show was. Simmons hasn’t written about Treme, but admitted on his podcast that he dismissed it after a few failed attempts at watching. I guess it bothers me when a pop culture tastemaker with such incredible reach ignores a show as good as Treme, a gift from a mind whose work has given us the best the medium has to offer. It’s probably unfair to be so irritated by Simmons glib reaction to Treme. In fact, I’m sure it is. But here I am anyway.
Alex Pappademas is a good pop culture writer, his piece on MTV’s Teen Wolf is fucking awesome, and he had the decency to at least watch and think about Treme before deciding it was no good. I read his piece as I was in the midst of a Treme binge, catching up on season 2 in a six episode burst that moved me to tears on more than one occasion. A lot of his problems with Treme reflect exactly what I love about it, the very same qualities that make it one of the five or six best things currently on TV and a worthy successor to the single greatest show in television history.









